Last week I visited the College of Arms, in London, on an evening tour organised by the V&A. Heraldry and calligraphy have always appealed to me, and anyone working for the College of Arms has to take pleasure in the fine rules and colourful terms. I spent many childhood hours poring over old and older books by people with double-barrelled names, and wondered what arcane heights of gilded tradition and scholarship might be inside the College, near to St. Paul's in London.
Because I love this subject, here I shall write up most of the notes that I made. You can find out a whole lot more at the College Of Arms website. Here goes!
The College is technically a remote part of the royal household and the chief position, Earl Marshal, has been the Duke of Norfolk for generations. He is the Garter King of Arms, the most important of three Kings of Arms. Below them are six heralds and four pursuivants. (See details at the bottom of the post). After over five hundred years, they are still granting arms, having come into existence to record and regulate use of heraldic identities; facilitate its use for tournaments and battle; and to organise the coronation.
All of the Officers deal with clients who want to buy a coat of arms (because they are available purely for money, and not linked at all with any title or honour); carry out research work and, very occasionally, get dressed up in tabards of the royal arms to take part in the state opening of parliament and the garter procession at Windsor. There are apprentices, artists and scriveners, and the ultimate product, for anyone buying arms, is a vellum document ("letters patent), with seals attached, describing the design in detail. It comes rolled up in a red box with royal monograms in gold.
The first room (the one that you can see at any time) is the Earl Marshal's Court (or the Court of Chivalry), where any disputes about use of arms would be heard. This has only happened once in well over a century. In 1953 a case began there (before adjourning to the Royal Courts of Justice), in which the Corporation of the City of Manchester objected to the use of its arms and seal by the Manchester Palace of Varieties theatre. This a serious business and the design (or, technically, the description) of a coat of arms is absolutely the property of a corporation or individual and their direct descendants only.
[UPDATE: a little more on this case in another post, The High Court Of Chivalry]
The library contains armorials, books of precedence and peerage, helmets and other artifacts, archives of grants, albums of symbols and family trees in books of all sizes, hundreds of years old; some with the paint still vivid on vellum. In the Seventeenth Century, the heralds made "visitation" to each county, to make records of people who had been using coats of arms since before the rules were introduced. Immediately after the Civil War, Gregory King, a herald and a draughtsman, used his travels to make documentary sketches of ecclesiastical architecture, in case of further destruction.
|Helmets, letters patent and the red box, an armorial and some over-sized crests.|
I feel like I've gorged on heraldry. There is always more to read and always someone who knows more. It's almost a bad habit. I hope you get sucked in too.
The Officers of the College of Arms are as follows:
Pursuivants: Blue Mantle, Rouge Dragon, Rouge Croix and Portcullis.
Heralds: York, Richmond, Somerset, Windsor, Lancaster and Chester.
Provincial Kings of Arms: North and South.
Garter King of Arms.