As I have a supervisory rôle, I needed a badge to adorn my apron, to accustom the student body to my capacity and to show that I mean business.
Rebecca said that, upside-down, it looked like a toothy grin.
The shelves and sills of my family home used to be dotted with painted pebbles. My mother had picked out nice round ones and painted detailed butterflies. Now they are outside the back door, in a little bed of varnished stones, and butterflies have given way to flowers.
That became a little lino print for Mothering Sunday. It was quick and sinuous and simple.
|Vegetables and fruit.|
Now that Adam and I have an allotment, I expect its produce to creep into my work. By the end of the year I will be drawing only squashes and peapods.
Working with card on card (for super-embossment), on the etching press (which required some tinkering with the Big Spanner), this piece is a quick celebration of our new endeavour:
broccoli, tomatoes, courgette (or marrow, depending on depth perception), onions, pumpkin, carrot, runner beans, chillies and rhubarb (or chard, depending on preference).
|Silchester walk in detail.|
The three-colour screenprint of a walk near Silchester fits into this post, although I wrote about it last week. Here is a crop.
If you like a neat rural jumble, or the silent brashness of a farm field, look at the work of Carol Lander and Carry Akroyd.
As for screenprinting, the lesson to learn is to think about registering the layers. To think about it early and to keep thinking about it at every stage.
|Three little cakes.|
Finally some card-cut cakes, which are a test piece for something to come.
Any other projects are under my hat for now.