![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgukLXRIaJdjTJ9oYM0atejK8RhDPjzSbG1Nu1vDjuScQxyoeZxe_8Zrey1rV8jRlAgkMP8zHKM7HrmBrFTwKO-5d23OcnNZdDQJ8oW4B2ARFeFHNG4QAbD-jRqWqoLAdb18zdr3ShWL0M/s200/Linocut_Ironwork.jpg)
The Red Hot Press in Southampton ran a short course on various methods of printmaking, on four Saturday mornings.
You'll notice some themes here.
First was a linocut. It's a close-up of an iron gate. Again, it's A6 but it's nice lino, and so cut properly with a variety of blades.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWpWTQ_Tej_FxvST5ZIrHxjGY8DT4nZ9_lFqjHIar-PYg_Mdjd_zMOKMlKIsA-pEiS9FZqrIXmy9HAn6vc3U7gcDQftiEtOijzi5r_KWESsW0ljw2ACP4l44f5ti6-dcU9ZwLu3XO2uVg/s200/Monoprint_Typewriter.jpg)
We did some gum transfer too but it's the book-binding that I'm looking forward to using - particularly once I've made some paper.
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